After Henrik Ibsen by Simon Stone & Chris Ryan
Belvoir Production, presented by Malthouse
Merlyn Theatre, Malthouse, Feb 22 to March 17, 2012
Reviewer: Kate Herbert on opening night Feb 22, 2012,
Stars:****
Anthony Phelan, John Gaden, Anita Hegh in The Wild Duck, Malthouse
The great strength of this adaptation of Henrik Ibsen’s five-act play, The Wild Duck, is the exquisitely balanced, sensitively wrought performances.
The script (Simon Stone, Chris Ryan) condenses the action, sets it in the contemporary world, reduces the number of characters and uses colloquial, accessible dialogue.
It is about the damage wrought by a long-held secret being revealed to a family that cannot handle its repercussions.
Gregers (Toby Schmitz) returns to his father, Werle (John Gaden) to find that his old friend, Hjalmar (Ewen Leslie), is married to Gregers’ father’s former lover. Gregers believes that by exposing this secret he will set everyone free. Wrong!
The multiple short scenes are cinematic and the extreme naturalism of dialogue and acting is heightened by the stark emptiness of the set (Ralph Myers).
Stone’s abstract staging removes specific locations, dropping actors into an austere, carpeted room surrounded by walls of glass through which we peer like voyeurs.
The direction is slick with a balanced pace and, although the audience may initially feel alienated from the action, we are slowly drawn through the glass walls as the characters’ tragedy unfolds.
This is a family drama of the kind we see on television, with intimate relationships exposed. However, short scenes and idiomatic quips interrupt the dramatic tension of Ibsen’s escalating tragedy so that, although we are touched by the final catastrophe, the drama is less affecting.
This tragedy lacks that desperate juggernaut of inevitability inherent in a story about a poor choice that sets uncontrollable events in motion.
The adaptation loses the elegance and intensity of Ibsen’s language and replaces it with more mundane, middle class banter.
