Cyrano by Virginia Gay REVIEW 29 Sep 2022 ****

 

THEATRE

Written by Virginia Gay after Edmond Rostand’s Cyrano

By Melbourne Theatre Company

At Southbank Theatre, The Sumner until Oct 29, 2022

Reviewer: Kate Herbert

Stars: ****

This review is published only on this blog, but I will do a radio review on 3MBS Arts Weekly on Sat 8 Oct 2022. KH

CYRANO_Robin Goldsworthy (front), Milo Hartill, Holly Austin, Virginia Gay-picJeff Busby

Cyrano is a rollicking good night in the theatre with an intelligent and witty script by Virginia Gay, inventive direction by Sarah Goodes and delightfully quirky performances.

 

The production literally breaks the fourth wall not only by frequently addressing the audience, but with its set design (Elizabeth Gadsby) that features a demolished brick theatre wall that allows us to peer into the performance space that appears to be a backstage area.

 

Gay’s interpretation of Edmond Rostand’s Cyrano begins with a motley bunch of actors wrestling with ways to represent the famous Cyrano story on stage. This is meta-theatre: art talking about itself as it is created on stage.

Bed & Breakfast REVIEW 8 Sept 2022 ****

THEATRE

Written by Mark Crawford with additional material from Tessa King & Ben Noble

At Chapel off Chapel until Sept 18, 2022

Reviewer: Kate Herbert

Stars: ****

This review is published only on this blog. I'll present a verbal review on 3MBS Arts Weekly on Sat 10 Sept 2022. KH

Ben Noble & Alex Thew - photo by Cameron Grant

When Ben Noble and Alex Thew took their curtain call at the end of Bed & Breakfast I had a fleeting moment of expecting “the rest of the cast” to appear on stage; that’s how convincing the two actors were playing over 20 roles between them!

 

Canadian playwright Mark Crawford’s Bed & Breakfast, is a genuinely hilarious, warm, moving and clever play, superbly performed by Noble and Thew who play the central characters of Brett (Noble) and Drew (Thew) who move from Melbourne to a small country town to convert Brett’s Aunt Maggie’s rambling old house that Brett just inherited, into a B and B. The play charts Brett and Drew’s year of renovations and homemaking.

 

The production is directed deftly, precisely and inventively by Tom Healey who pushes the performers to their limits. These two versatile and admirable actors inhabit an entire community of people, transforming into old and young, male and female, progressive and conservative characters with a shift in posture, a change in attitude, accent or tone, or just a jacket.

Freaky Friday the Musical, 8-18 Sept 2022 PREVIEW ONLY

MUSIC THEATRE

Freaky Friday the Musical, Music & Lyrics by Tom Kitt and Brian Yorkey

Produced by Theatrical

At Chapel off Chapel until Sept 18, 2022

Reviewer: Kate Herbert

This is NOT a review but a short preview taken from the Media Release for this production and company. KH

Freaky Friday  photo  by Evangeline Kepler Studios

 

Quote from Media Release:

K-Box REVIEW 7 Sept 2022 ***

THEATRE

Written by Ra Chapman, Malthouse Theatre

At Beckett Theatre, Malthouse until Sept 18 2022

Reviewer: Kate Herbert

Stars: ***

This review was published only on this blog. I’ll present an oral review of it on 3MBS Arts Weekly on Sat 10 Sept 2022. KH

Susanna Qian, Maude Davey, Syd Brisbane_c Phoebe Powell

K-Box, written by Ra Chapman and directed by Bridget Balodis, explores a story about racial identity and issues surrounding inter-racial and inter-cultural adoption and, although the themes and narrative ideas have potential, they are not yet fully realised. 

 

Korean adoptee, 34-year-old Lucy (Susanna Qian), returns to her parents’ home in an Australian country town, unannounced and after a long absence, after leaving her boyfriend and her job with no explanation.

 

Lucy’s well-meaning but confused parents, Shirley (Maude Davey) and George (Syd Brisbane), welcome their obviously despondent and disoriented daughter with open arms but are bereft of ideas to help her through what Shirley believes – correctly, it transpires – to be a breakdown. Lucy does not leave the house for weeks and is obsessed with a large, now empty cardboard box that she played in as a child and called something sounding like “Ship” or “Chip”, a name that she discovers has resonance with her early childhood in Korea. Lucy keeps her precious box close, weirdly seating it at the dinner table, stroking it as she watches TV or squatting inside it like a toddler.

Come From Away RETURN SEASON Sept 5 2022 *****

MUSIC THEATRE

Book, Music & Lyrics by Irene Sankoff and David Hein

At Comedy Theatre, Melbourne until Oct 30 2022

Reviewer: Kate Herbert

Stars:  *****

This review published only on this blog. It repeats much of my 2019 review but includes the new cast for this 2022 season. KH

Cast of Come From Away - photo credit Jeff Busby

Come From Away is a remarkable, exhilarating and joyous celebration of the human spirit at its best, and the audience at this return season in September 2022 leaps to its feet in a standing ovation at the rousing finale. This show is a rare creature you should not miss.

 

On September 11 2001, 38 planes were diverted to a tiny town in Newfoundland, Canada, almost 7,000 passengers were met with warmth and open-hearted generosity. On that dark day, the 10,000 residents of Gander and neighbouring towns gave shelter, solace and a warm hearth to complete strangers displaced by the events of 9-11. These people shared their lives. Remember sharing?

 

In their electrifying and outstanding musical, writers, David Hein and Irene Sankoff, condense 16,000 stories from real interviews into a narrative set over five days, with dozens of quirky characters portrayed by an exceptional ensemble of twelve.

La Cena Perfetta FILM REVIEW 2 Sept 2022 ****

(The Perfect Dinner)

ST. ALI Italian Film Festival 2022

At Palace Cinemas 15 Sept to 12 Oct 2022 

For dates: www.italianfilmfestival.com.au/films/the-perfect-dinner

2022 | 106 min | Italy | Comedy

Reviewer: Kate Herbert

Stars:****

This review was published only on this blog. KH

La Cena Perfetta: Salvatore Esposito, Greta Scarano Gianfranco Gallo

 

La Cena Perfetta is a delectable romance seasoned with a dash of menacing mafioso and a splash of comedy. It tracks the path of Carmine (Salvatore Esposito) – a member of the Neapolitan Camorra who has too much heart and soul for violence and crime – after his Capo and “uncle”, Pasquale (Gianfranco Gallo), banishes him to Roma to launder Camorra money through a cheap and tacky frozen food restaurant called Picchio Blu (Blue Woodpecker).

 

When Carmine encounters feisty and attractive Consuelo (Greta Scarano), haute cuisine chef and former owner of the restaurant, he follows his own dream and embarks on a dangerous path to build a Michelin star-worthy restaurant with Consuelo at the helm – but he diverts Pasquale’s money into his project without the Capo’s knowledge or consent. Danger looms!

Heart Is A Wasteland REVIEW OF PREVIOUS PRODUCTION July 1, 2017 ***

 THEATRE 

NB: This is a review of the 2017 production with a different cast from that of the latest 2022 production.

Written by John Harvey, by Brown Cabs Productions and Malthouse Theatre 

At Beckett Theatre, Malthouse, until July 16, 2017 

Reviewer: Kate Herbert on July 1, 2017 

Stars:***

Review was also published in Herald Sun Arts online on Mon July 3, 2017 and later in print. KH

 Ursula Yovitch, Aaron Pedersen - Photo by Deryk McAlpin

Heart Is A Wasteland is John Harvey’s debut as a playwright and, despite the undoubted quality of the actors and the dramatic potential of its premise, this script is not yet ready for the stage.

Harvey describes his play as ‘a road trip, a crazy, black love story set over a few nights’, and when Raye (Ursula Yovich) meets Dan (Aaron Pedersen), the encounter between this seemingly mismatched pair rapidly becomes intense, lustful and increasingly fraught.

Pedersen is startling, compelling, totally credible and fully immersed in his role as the damaged, uncouth but endearing and sometimes inarticulate Dan, who was a youth worker but now works in the mines and nurses a sad secret.

More Than a Game REVIEW August 25 2022 ***

The Unauthorised Footy Show Musical

Book by Jacob Buckley & Michael Whyntie, Music & Lyrics by Walter Buckley

At Chapel off Chapel, The Loft 25-28 August 2022

Reviewer: Kate Herbert

Stars: ***

This review published only on this blog. KH

Amelia Hender Ned Baulderstone Harry Fiedler Walter Buckley-pic Frank Lynch

It’s bad enough when your personal life goes to hell when your best friend hooks up with your recently ex-wife, but when you're a faded footy hero and TV footy identity, your private life explodes into a very public media frenzy. And so it was for the hapless Footy Show clown and former AFL footballer, Billy Brownless.

 

Of course, once the dust had settled, the last thing Brownless would want is a bunch of young musical theatre makers performing a totally unauthorised version of his personal horror story, complete with songs, parody and drunken histrionics.

 

With book by Jacob Buckley and Michael Whyntie and music and lyrics by Walter Buckley (I presume the Buckleys are related?), More Than a Game is a hoot. The songs are full of witty, well-observed lyrics and there are several rocking tunes played by a tight four-piece band led by arranger Regi Ashman.

Caught, Red Stitch REVIEW Aug 20, 2022 ***1/2

THEATRE

Written by Christopher Chen

At Red Stitch Theatre, St. Kilda until Sept 11, 2022

Reviewer: Kate Herbert (Reviewed on Sun Aug 21, 2022)

Stars: ***1/2

This review published only on this blog. KH

Caught-David Whiteley, Jessica Clarke and Louis Le-pic Jodie Hutchinson

 

 

 

Christopher Chen’s play Caught begins with an address by Chinese dissident artist Lin Bo (Louis Le) to the audience at a pop-up art gallery, then proceeds to unravel not only Lin’s story but our entire understanding of truth in art, journalism, power and theatre itself. The play is like a Russian doll, a Rubik’s Cube, a kaleidoscope that changes every time it moves, disorienting the viewer.  

 

Lin’s opening speech is both charming and alarming as he describes his experiences in a Chinese prison after his arrest for plotting a conceptual protest rally on the anniversary of the Tienanmen massacre. In a calm, almost cheerful tone, he describes the appalling conditions, inedible food, frequent interrogations and rats leaping from toilets in his open-air cell during his two-year imprisonment. Lin’s story featured in The New Yorker and made him a celebrity artist in the US.

 

What follows is a gradual deconstruction of Lin and debunking of his horrific tale by the ambitious but vulnerable New Yorker journalist (Jessica Clarke) who wrote his story, and her spiky, obnoxious editor (David Whiteley). Their interrogation of Lin begins as a search for truth then deteriorates into brutal absurdity.

Anna K REVIEW Aug 17 2022 ***

THEATRE

Written by Suzie Miller

At Merlyn Theatre, Malthouse until Sept 4 2022

Reviewer: Kate Herbert

Stars: ***

This review is published only on this blog. KH

Callan Colley & Caroline Craig_photo Pia Johnson

With a central character, narrative and themes loosely based on Leo Tolstoy’s renowned novel, Anna Karenina, Suzie Miller’s play Anna K tells a disturbing tale of a TV current affairs, investigative journalist who breaks the golden rule of journalism – she becomes the story.

 

With echoes of the ill-fated Karenina, this Anna (Caroline Craig) is married with a child but leaves her husband when she falls in love with Lexi (Callan Colley), a young SAS officer almost 20 years her junior who she met when he was the source for her sensational news story about abuse and bullying in the army.

 

The play takes place in a smart hotel suite (designer, Anna Cordingley) a few days after Anna has left her husband and awaits the arrival of her 10-year-old son so she can break the news to him of his parents’ separation. Anna and Lexi are evidently locked in love’s sweet embrace, initially oblivious to the fact that their affair has been leaked to the media which leads to her being flayed and castigated on social media, pursued by the hostile media flocking outside their hotel, then ostracised and finally suspended by her TV station.

Hairspray REVIEW Aug 15, 2022 ***1/2

MUSIC THEATRE

Music by Marc Shaiman; Lyrics by Marc Shaiman & Scott Wittman; Book by Mark O’Donnell & Thomas Meehan

At Regent Theatre (Closing date NA)

Reviewer: Kate Herbert

Stars: ***1/2

This review is published only on this blog. KH

Mackenzie Dunn, Javon King, Carmel Rodrigues, Sean Johnston-pic Jeff Busby

 

Hairspray, the musical, is a heady blend of singable tunes, 1960s dance routines and bouffant hairdos (and hair don’ts), high gelato colour palette and the fumes of Ultra Clutch hairspray.

 

This sparkling, new Australian production directed by Matt Lenz (original direction by Jack O’Brien) features choreography recreated by Dominic Shaw (original choreography by Jerry Mitchell).

 

The musical is based on John Waters’ 1988 kitsch, camp movie starring drag queen Divine as the overeating, reclusive laundress, Edna Turrnblad (played in this production by Shane Jacobsen), but composer Marc Shaiman, co-lyricist Scott Wittman and writers Mark O’Donnell and Thomas Meehan, created a commercial hit show featuring Edna and her daughter, Tracey (Carmen Rodrigues).

Laurinda MTC REVIEW Aug 11 2022 ***

THEATRE

Adapted by Diana Nguyen from Alice Pung’s novel

At Sumner, MTC Southbank Theatre until Sept 10, 2022

Reviewer: Kate Herbert

Stars: *** (3)

This review published only on this blog. KH

Ngoc Phan, Chi Nguyen, Fiona Chou, GEmma Chua-Tran, Jenny Zhou-photo Jeff Busby

It is difficult to translate the nuances and complexities of a novel into a stage script and production and, in the case of this adaptation of Alice Pung’s Laurinda, a work of Young Adult Fiction, any subtlety is lost at the outset.

 

After a 35-minute delay on opening night because of “technical problems”, the play begins with barely controlled hysteria as the lead character Lucy Lam (Ngoc Phan), now in her late 30s, surges onstage in a lather because she has discovered that her award for teaching excellence will be presented by a former school colleague and renowned bully, Brodie Newberry (Gemma Chua-Tran), now youngest Chief Justice in Australia; an unlikely achievement at her age, but let’s suspend our disbelief.

Creation Creation REVIEW Windmill, August 10 2022 ****

CHILDREN’S THEATRE

By Windmill Theatre

At Fairfax Studio, Arts Centre Melbourne, 19-20 August 2022

Reviewer: Kate Herbert

Stars:**** (4)

This review of recorded version on August 10, 2022. This review is published only on this blog. KH

FleurEliseNoble_JonathonOxlade_CreditThomasMcCammon

Creation Creation by Windmill Theatre is a delightfully whimsical, eccentric and sometimes poignant physical and visual performance that will appeal to children and adults alike.

 

It asks the big questions such as: how the world was created, what happens after death, how humans create babies and even why some people can lick their elbows. These questions and their multitudinous answers can be heard in excerpts of recorded interviews with ordinary people ranging from ages 8 to 102.

 

On a totally white stage, two non-speaking performers, Jox (Jonathon Oxlade) and Fleur (Fleur Elise Noble), use odd objects and geometric pieces of cardboard to create playful representations of the voiced ideas, including an array of creation myths from cultures including Egypt, Greece, Iran, India, China and indigenous Australians. Meanwhile, from the side of the stage, Auslan interpreter Dan Cleasby translates the voice overs.

Louisa’s Dawn REVIEW August 4, 2022 **1/2

THEATRE

Written by James Howard

At La Mama Courthouse, until August 14, 2022

Reviewer: Kate Herbert 

Stars: **1/2

This review was first published in The Age Arts online on Friday Aug 5, 2022 and in print on Monday Aug 8, 2022. Click this link Louisa's Dawn and scroll to second review to read it in The Age online.

 

Gin O’Brien, Peppa Sindar. Mary-Rose McLaren, Tayla Harry, photo Darren_Gill

Australians will have heard of Henry Lawson, the renowned Australian writer, but few will know that his mother Louisa Lawson published The Dawn, a journal specifically for Australian women, between 1888 and 1905, employing 11 women to produce the publication.

 

James Howard’s play Louisa’s Dawn explores the courageous, relentless spirit of Lawson during the time she established her journal, published material challenging the status quo and faced rabid opposition from men. The male unions were outraged at the temerity of this woman who worked in the male-dominated printing industry, employed non-union women (women were not permitted to join unions) and supported women’s rights to vote and to earn money – rights now taken for granted.

Medea: Out of the Mouths of Babes, REVIEW Aug 3 2022 ***

THEATRE 

At Theatre Works, St. Kilda until August 20, 2022

Reviewer: Kate Herbert

Stars: ***

This review was first published in The Age Arts online on Thursday Aug 4 and in print on Friday Aug 5, 2022. Click this link Medea-Babes. to read the review in The Age online. Scroll down to find the review.

L-R Emily Joy, Paolo Bartolomei, Willow Sizer photo by Morgan Roberts  

 

 

 

When developing Medea: Out of the Mouths of Babes, director Steven Mitchell Wright filtered the ancient Greek tragedy about the abandoned wife and mother who murdered her children through a group of five youngsters – the “children’s council”.

 

The production features striking, vivid imagery and cleverly executed live and recorded video (Chris Bennett) that cunningly incorporates the children’s drawings and video of them playing. The style merges cabaret, soap opera, melodrama, television and cartoonish characters that echo the children’s imagery such as the relentlessly cheerful King Creon (Emily Joy) and Jason (Paolo Bartolomei) with his flamboyant, heroic posturing.

Gone Girls, REVIEW July 28, 2022 ***

THEATRE

Written by Patrick Livesey & Annabel Larcombe

Gasworks Arts Park, until August 6, 2022

Reviewer: Kate Herbert 

Stars: *** (3)

This review was first published in The Age Arts online on Sunday 31 July and in print on Monday Aug 1 2022. Click this link Gone Girls

Gone Girls-Patrick Livesey, Annabel Larcombe- Image by Jacinta Oaten

Gone Girls is a political satire about the successes, failures and rivalry of Julia Gillard (Patrick Livesey) and Julie Bishop (Annabel Larcombe), two high-achieving, Australian female politicians and, in a fortuitous confluence of events, it opens as the new federal parliament boasts a record number of women representatives.

 

Gillard and Bishop’s political careers burned brightly for a time then flamed out; Gillard occupied shadow and government ministries and enjoyed a short-lived period as Labor Prime Minister, while Bishop served in Coalition ministries and as Lib Deputy Leader but failed in her bid for the Prime Ministership.

Unsolicited Male REVIEW July 26 2022 ***1/2

THEATRE

Written by Ron Elisha

Produced by Q44 Theatre

At Chapel off Chapel, until August 7, 2022

Stars; ***1/2

Reviewer: Kate Herbert

This review was first published in The Age Arts online on Thur July 28, 2022 and in print on (TBC) Fri July 29, 2022. KH

Russell Fletcher & Kym Valentine- image Jodie Hutchinson

Sexual relationships in the workplace are a potential minefield in the post #MeToo era and Australian playwright Ron Elisha’s 2018 play, Unsolicited Male, dissects gender and power politics and issues of consent by taking a deep dive into a single, messy incident between a male boss and his female employee.

 

Boss Zeke (Russell Fletcher) is confident in his business role, but feels awkward, weak and unattractive to women in his personal life, while his employee Wendy (Kym Valentine) knows that her power is limited in the workplace but is very aware of her attractiveness to men.