Wednesday, 21 August 1996

Wrung Out! Glynn Nicholas, Aug 21, 1996


Wrung Out! by Glynn Nicholas
Comedy Theatre from August 15, 1996
Reviewed by Kate Herbert around Aug 21, 1996
Director Terry O'Connell with Ann Wilson & Anna Mitsikas

Glynn Nicholas certainly knows how to work a crowd. All those years begging and doing classical mime on the streets of Adelaide and Paris paid off. Once a busker, always a charming-bloody-busker.

They were eating out of his hand and throwing money ("Wrap it in bills. It's safer.") and there was a standing ovation – but more of that later.

Nicholas manages to find the perfect blend of the schmaltzy-sweet and wickedly grotesque. His fascist kindy teacher, Pate' Biscuit, remains a timeless and vicious satire on all those repressed, angry, child-hating Playschool presenters worldwide. Pate' with Bongo, her silent, salacious puppet alter ego, has become a classic for Nicholas.

Another skilful and hilariously well-observed character is Sergeant Smith, the local copper who mixes his cliches, uses the "f" word (sans "f") every second '...uckin' word, and is a grotesque parody of every old school Plod.

Nicholas strings together these characters with an engaging personal story about leaving hearth and home to go on his restless young man's journey to gay Paris to study mime. He even pre-empts any mime cynicism in the audience with, "I trained with Marcel Cliche." He covers a bad gag with a coy apology or a gaze tossed to his musician (Ana Mitsikas).

He gets away with appalling puns and gross tits and bums humour by the skin of his teeth. The seamy jokes come as such a surprise we laugh and let him move on.

He re-incorporates gags, latecomers, characters and references throughout the show. He is able to demystify the bull-dust of theatre by allowing us into his world and then amazing us with magic and mime illusions. The crowd still responds with most gusto to his mimetic skills. His motorcycle cop catching a drunken driver is a virtuoso set piece of comic mime.

Less successful are the sometimes icky-sweet songs and the love story narrative about Marlon Hickey the pavement artist from Wollongong who brings a classy Parisian bride back to Wollongong to "leeeeave". The integration of a second performer, the very skilful dancer-singer Ann Wilson, is not quite complete but this may settle as the season continues. Mitsikas' musical accompaniment enhanced the show but the star is always Nicholas himself.

That's who the people stood up for at the end - even if he made us do it.
KATE HERBERT

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