Wrung Out! by Glynn
Nicholas
Comedy Theatre from
August 15, 1996
Reviewed by Kate
Herbert around Aug 21, 1996
Director Terry O'Connell with Ann Wilson & Anna Mitsikas
Glynn Nicholas
certainly knows how to work a crowd. All those years begging and doing classical
mime on the streets of Adelaide and Paris paid off. Once a busker, always a
charming-bloody-busker.
They were eating out of his hand and throwing money
("Wrap it in bills. It's safer.") and there was a standing ovation – but
more of that later.
Nicholas manages to find the perfect blend of the
schmaltzy-sweet and wickedly grotesque. His fascist kindy teacher, Pate'
Biscuit, remains a timeless and vicious satire on all those repressed, angry,
child-hating Playschool presenters worldwide. Pate' with Bongo, her silent,
salacious puppet alter ego, has become a classic for Nicholas.
Another skilful and hilariously well-observed character is
Sergeant Smith, the local copper who mixes his cliches, uses the "f"
word (sans "f") every second '...uckin' word, and is a grotesque
parody of every old school Plod.
Nicholas strings together these characters with an engaging
personal story about leaving hearth and home to go on his restless young man's
journey to gay Paris to study mime. He even pre-empts any mime cynicism in the
audience with, "I trained with Marcel Cliche." He covers a bad gag
with a coy apology or a gaze tossed to his musician (Ana Mitsikas).
He gets away with appalling puns and gross tits and bums
humour by the skin of his teeth. The seamy jokes come as such a surprise we
laugh and let him move on.
He re-incorporates gags, latecomers, characters and
references throughout the show. He is able to demystify the bull-dust of
theatre by allowing us into his world and then amazing us with magic and mime
illusions. The crowd still responds with most gusto to his mimetic skills. His
motorcycle cop catching a drunken driver is a virtuoso set piece of comic mime.
Less successful are the sometimes icky-sweet songs and the
love story narrative about Marlon Hickey the pavement artist from Wollongong
who brings a classy Parisian bride back to Wollongong to "leeeeave".
The integration of a second performer, the very skilful dancer-singer Ann
Wilson, is not quite complete but this may settle as the season continues.
Mitsikas' musical accompaniment enhanced the show but the star is always
Nicholas himself.
That's who the people stood up for at the end - even if he
made us do it.
KATE HERBERT
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