Friday, 4 February 2000

Song For A Siren & Tokyo DasSHOKU Girl, Feb 4, 2000


Two Shows:
Song For A Siren by Santha Press
Tokyo DasSHOKU Girl  by Yumi Umiumare
 at Gasworks until February 13, 2000
Reviewer: Kate Herbert

Sirens may be divinely beautiful and sing songs to melt the hearts of men but let's face it. They are nasty baggages that lure men and their boats onto the rocks to drown.

In Santha Press's musical theatre show, Song For The Siren, Flo dreams of being a siren as she luxuriates in her 30's style iron bath. On the outside, in the real world, she's just some chick with low self-esteem who stammers idiotically when flirting with "petrol station man".

Unfortunately, fantasy does not meet reality. When the romance with petrol boy develops, he is dull, dull, dull.

Original music is played by Lliam Freeman who is also a co-writer of some songs. Some tunes, such as Song For The Siren, have a lyrical quality while others are more bluesy. Press is best when singing in her upper register.

The show integrates the two threads of story and adds some striking visual images on a shadow screen. There is however, something uncomfortable in Press's performance.

The more bizarre, colourful and compelling of the two shows in this season, is Tokyo DasSHOKU Girl by Yumi Umiumare with Matt Crosby and Ben Rogan. 

Tokyo Shock Boys are a Japanese trio of loud annoying boys who think it's hilarious to wrap yourself in a plastic bag on stage till you go blue. The satire of Yumi's title is obvious. 

"DasSHOKU" means "bleached" but is also a pun on a Japanese word meaning approximately "unemployment".

Yumi is a skilful Japanese Butoh dancer interested in the collision of the grotesque and the suburban which creates the ridiculous.

Some of the vignettes are beautiful, stylised physical theatre enhanced by industrial or pop music and Japanese theatre forms. Others are absurd takes on fashion, cuteness in Japan, obsessive priest-like characters, geisha, karaoke and sumo wrestlers.

There is even some kooky audience participation. It seems Yumi did not recognise this theatre critic who was dragged on stage with a man and a cockroach for company, only to be gargled on from on high.

This is pretty bent cabaret, but good entertainment.

by Kate Herbert

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