By
Wolfgang Mozart
Athenaeum
Theatre, July 11 until July 18; Alexander Theatre, Monash University, July 31,
Reviewer: Kate Herbert on
July 15
Stars:***
Full review online on Tue July 17, after publication in Herald Sun. KH
Director, Suzanne
Chaundy, transposes Cosi Fan Tutte forward several centuries from 1790 into the
1960s to bring a fresh view to Mozart’s much loved, comic opera.
Greg Hocking confidently
conducts the polished Melbourne Opera Orchestra playing Mozart’s cheerfully
diverting score.
There are two casts alternating
nights for this production and I saw Cast Two featuring Emily Xiao Wang singing
Fiordiligi with a pretty, effortless soprano and Angela Hogan singing Dorabella
with a warm mezzo and plenty of vibrato.
Roy Best’s sings the
young soldier, Ferrando, with a powerful, bright tenor, and Nathan Lay’s warm
baritone as Guglielmo is a fine compliment in their duets.
Don Alfonso (Ian Cousins
with a dubious Italian accent), in cahoots with the maid, Despina, (Nicole
Wallace as an entertaining 60s tart) convinces the young soldiers to test their
darlings’ fidelity.
Chaundy capitalises on the
1960s sexual liberation to elucidate their story, introducing a chorus of doped
up hippies carrying Make Love Not War placards to protest against the soldiers
who depart for Vietnam.
Although the caricatures
and clowning are sometimes awkward and the staging of the chorus crowded, these
voices blend happily in Mozart’s complex harmonies.
Kate Herbert
Cast 1
Fiordiligi
|
Danielle Calder
|
July 11, 17, 31
|
Dorabella
|
Victoria Lambourn
|
July 11, 17, 31
|
Ferrando
|
Roy Best
|
July 11, 17, 31
|
Guglielmo
|
Phillip Calcagno
|
July 11, 17, 31
|
Despina
|
Andrea Creighton
|
July 11, 17, 31
|
Don Alfonso
|
Roger Howell
|
July 11, 17, 31
|
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