La Mama,
Carlton Courthouse until February 9, 2002
Midsumma Festival
Reviewer: Kate Herbert on Jan 23, 2002
Coming out as a lesbian to the family is difficult enough.
Add to this being an incest victim of one's grandfather and you have a familial
molotov cocktail. Such is the content of Shush, written by Dolly Adamson. The
play is part of the Midsumma Gay
and Lesbian Festival program.
The topic is not new in theatre and is a highly emotive and
socially relevant area. The play has scenes that effectively reflect the
lifestyle of the gay club scene, the shared house and awkward family
relationships.
The lesbian relationship between Alex (Delene Butland) and
Holly (Jaqcui Tamlyn) highlights their raging fights, drug-taking.
This is a patchy production with a script that needs some
serious editing. The narrative follows a plausible path but the dialogue is
repetitive and the story predictable. Characters are stereotypes and their
relationships shallow.
The play is a drama. However, there is a peculiar and
inappropriate addition of the drag queen, Barb Wire, (Barry Soloman) who
introduces the play and enters the final club scene.
Other quirky but unnecessary characters include Trevor,
(Tamlyn) a dysfunctional stalker who writes hilariously bad love poetry and
Sylvia, another drag queen (Robert Kelty) who runs the club.
All three of three of these would make a fine cabaret comedy
show but interfere with the style and narrative in Shush.
There are some credible and moving moments from John Flaus playing
the grandfather. He is warm, loving and finally enraged at his granddaughter's
clearly accurate accusations.
Butland warms to the role after some initial awkwardness and
Tamlyn is strong as her roughhouse girlfriend, Holly.
The character of Judy, Alex's mother, (Libby Stone) is
written as a one-note, whining critical matriarch that makes it difficult for
Stone to make much of the role.
Tamara Kuldin as Alex's sister, Michelle, whimpers and leaps
about like a child which makes it difficult to believe she is about to marry.
Director Susan Pilbeam has found some truth in this piece
but it lacks polish and needs a huge cut on the script.
By Kate Herbert
No comments:
Post a Comment