By Peta Brady, by Malthouse Theatre;
Co-production with Griffin Theatre; Malthouse Theatre Commission (Malcolm Robertson Foundation)
Beckett Theatre, until 7 June, 2014
Reviewer: Kate Herbert
Stars: ***
Review also published in Herald Sun online on Wed May 21 and later in print. KH
Both
the perpetrators and the victims remain nameless and strangely anonymous in
Ugly Mugs, Peta Brady’s unsentimental, sometimes grimly comical play about
violence against sex workers.
Brady
draws on her experience working amongst sex workers to build the gritty
realism, vivid central character, hard-boiled dialogue and bluntly brutal
descriptions in the play.
A
37 year-old prostitute (Brady) lies on a morgue gurney chatting idly, even
cheerfully, to a forensic pathologist (Steve Le Marquand) who is, in fact,
investigating her death and performing her autopsy. (Not a spoiler as we know
this in the first minutes.)
In
a second narrative thread, a teenage boy (Harry Borland) and girl (Sara West)
meet in a park where they tussle and taunt each other in an awkward, possibly
dangerous game of cat and mouse.
The
play, directed unobtrusively by Marion Potts, is somehow more unsettling
because of the sheer ordinariness of the characters and because the violence is
described in a matter-of-fact way, rather than being enacted.
It
is chilling to hear the details of the woman’s autopsy as she enquires unemotionally
about the procedure and explains her recollections of the attack and her
attacker.
Brady
plays her unnamed character with a disquieting cheerfulness and humour,
bringing to life this damaged, hard-bitten but warm woman who lived and worked
on the streets, collecting a list of ‘ugly mugs’- the men who wantonly abuse
prostitutes.
Le
Marquand cleverly balances the cool and clinical with gentle care for his vulnerable
patient.
The
second story thread is compelling at times, with Borland playing the mentally
unstable boy who craves contact with West’s stroppy, superficially tough, young
woman.
However,
this relationship is ultimately less effective and not as satisfactorily
resolved as the main narrative.
Another
problem is that the speech patterns in the teenagers’ dialogue echo tough,
street language but the actors’ inappropriately polished, middle class accents
do not match it.
Ugly
Mugs is certainly a play with challenging, topical issues and it was with some trepidation
that I walked the darkened streets after the performance ended.
By
Kate Herbert
Steve Le Marquand &Peta
Brady; Photo: Pia Johnson
Direction / Marion Potts
Set & Costume Design / Michael Hankin
Lighting Design / Lucy
Birkinshaw
Sound Design / Darrin
Verhagen
Cast includes / Harry
Borland, Peta Brady, Steve Le Marquand, Sara West
By Kate Herbert
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