COMEDY /THEATRE
Written by John Cleese & Connie Booth, adapted for stage by John Cleese from original BBC series
Produced by Michael Coppel & Phil McIntyre in association with Louise Withers
Comedy Theatre, until Oct 23, 2016
Written by John Cleese & Connie Booth, adapted for stage by John Cleese from original BBC series
Produced by Michael Coppel & Phil McIntyre in association with Louise Withers
Comedy Theatre, until Oct 23, 2016
Reviewer: Kate Herbert
Stars: ***1/2
Review also published online in Herald Sun Arts on Fri Sept 23, 2016 and later in print. KH
Stars: ***1/2
Review also published online in Herald Sun Arts on Fri Sept 23, 2016 and later in print. KH
Blazey Best, Stephen Hall
Even Fawlty Towers
purists should find some hearty laughs in this stage adaptation of John Cleese
and Connie Booth’s iconic, 1970s BBC comedy series brought to life here with
Basil, Sybil, Manuel, Polly and a parade of their hapless guests at the Torquay
Hotel.
Cleese himself
wrote the stage script that merges three of his favourite episodes of Fawlty
Towers – Communication Problems, The Hotel Inspectors and The Germans – into one,
extended narrative using original scenarios, dialogue and eccentric characters.
Fawlty Towers Live, directed by
Caroline Jay Ranger, utilises all the same, classic comic techniques as the TV
series: whip-smart dialogue, gags and battles of wit, archetypical characters,
physical comedy and slapstick, absurd situations, confused identities and status
relationships all played out in a single location.
Of
course, the TV series cannot be beaten for its comic innovation, rapid-fire pace
and the achingly funny and excruciating predicaments into
which Basil (Stephen Hall) gets himself, but the opening night audience roared at
its favourite Fawlty Towers moments.
Hall delivers Basil’s Nazi
goose-stepping, makes his faux pas with the Germans saying, “Don’t mention the
war”, smacks Manuel (Syd Brisbane) on the nose with a spoon, is knocked
unconscious by a moose head, abuses his bemused guests and schmoozes those he
thinks are more important.
There are
certainly problems with taking a TV classic to the stage and the production is
bumpy at times with scene changes that look manufactured and too much like
television segues.
Another
question for a live production is how to portray and do justice to Cleese’s
much imitated and yet inimitable character, Basil Fawlty.
Although
many of the cast reproduce the voice, style and timing of the original, screen
characters, allowing the audience to relive favourite scenes and lines, Hall
captures the essence of Cleese’s physicality and comic delivery without
replicating it.
However,
his mostly restrained vocal delivery and characterisation of Basil do not
always garner the maximum laughs.
Blazey
Best as Sybil channels Prunella Scales with her nasal twang, prolonged vowels,
dragon-wife glare and wry delivery, while Brisbane as Manuel gets huge laughs
with his signature reply, “Che?” and his line, “I know nothing. I’m from
Barcelona.”
Aimee
Horne has charm and subtlety as Polly and looks and sounds uncannily like Connie
Booth, while Paul Bertram is suitably blustering as the aged and forgetful Major.
Deborah
Kennedy is hilariously pompous and intrusive as the deaf Mrs. Richards, while Paul
Denny almost steals early scenes as Mr. Hutchinson, the pedantic and verbose spoon
salesman.
This live
tribute can never match the TV show and some aficionados may not love it, but
it has some huge laughs of recognition and the final scene captures the mayhem
of Basil’s shambolic hotel world.
By
Kate Herbert
Cast, Fawlty Towers
No comments:
Post a Comment