THEATRE / CLOWN
by Toby Blome and Zelman Cressey-Gladwin
Southbank Theatre, The Lawler, until June 22, 2019
Reviewer: Kate Herbert
Stars:
3&1/2
L-R_Toby Blome and Zelman Cressey-Gladwin_Pic by Phil Erbacher |
The
two bumbling clowns in Rudy &
Cuthbert blunder about in wide-eyed, childlike
incompetence like children trying to be grown-ups.
In
the classic clown tradition, they never achieve their goal, which, in this
case, is to stage a production of the dramatic courtroom drama, Twelve Angry
Men, an absurd and inevitably doomed ambition for only two actors.
Rudy (Toby Blome) and Cuthbert (Zelman Cressey-Gladwin) are startled to discover their audience already seated
and waiting for the play to start, despite the performers not having finished
rehearsing (or even started?) and having no set. Every actor’s nightmare!
Using
mostly silent, physical comedy and parody, peppered with rudimentary dialogue, the
hapless Rudy and Cuthbert embark on a series of ill-fated tasks, including
constructing a tiny table (without an allen key!), carefully positioning toddlers’
pink chairs, auditioning audience members, and playing gung-ho, He-Man stage
technicians. Even changing costumes causes chaos.
Directed by Ellen Cressey, Blome and
Cressey-Gladwin are a warm and charming duo as they collaborate and compete,
support and undermine, make mistakes and apologise, and engage directly but
gently with their audience through gesture and comic facial expressions.
Undaunted, they continue to muddle
through with the bewildered attitude and misplaced confidence of kids unwilling
to admit they are way out of their depth.
This duo follows the clown heritage of Chaplin,
Keaton and Australia’s own Lano and Woodley and Los Trios Ringbarkus.
(Note the family resemblance to Neill Gladwin from Los Trios.)
The
production could benefit from greater exaggeration or heightening of some comic
business and perhaps more intense complicity between the characters and with
their audience.
Ultimately, Rudy & Cuthbert is
an engaging, sometimes enchanting short show that highlights the joyful idiocy of
clowns. This
duo thrives on audience reaction so a full house is optimum. Bring your
friends.
by Kate Herbert
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