THEATRE
Written, co-devised and
performed by Joseph Sherman,
produced by La Mama
At La Mama Courthouse, until
Aug 4, 2019
Reviewer: Kate Herbert (on Fri July 26)
Stars: ***
Review also published in Herald Sun Arts, Tues July 30, 2019. KH
Joseph Sherman’s Last Words is a gentle, poignant and
intensely personal performance about Sherman’s Russian-Jewish parents’ journey
from Odessa to Nunawading, followed by his father’s heartbreaking decline into
dementia.
Joseph Sherman, Last Words, pic by Paul Dunn |
In this show, directed unobtrusively by John Bolton,
Sherman roams around a display of black-and-white family photos, telling tales
of his parents, Rebecca and Michael’s fraught marriage, mismatched families and
quirky business ventures.
Initially, the piece is conversational and intermittently humorous, as the photos and Sherman’s childhood memories spark stories of Odessa, his parents and grandparents, and Stalinist Russia.
Sherman recalls the writings of a dissident poet,
Odessa’s Black Market that was actually a market, and a street that changed its
name from Karl Marx Street to Hitler Street.
But all is not well between Rebecca and Michael before
they leave Odessa in 1974 to travel to Melbourne, where they divorce a few
years later.
Memory is key in Sherman’s family saga, and he gently
reminds us from the beginning that both his parents died with Alzheimer’s.
The more playful, early narration gives way to a
short, compelling, but light-hearted lecture – complete with chalkboard
diagrams and a wire model of the brain – about the damage done by Alzheimer’s
as it destroys the capacity to create new memories or imagine the future.
By the final scenes, the performance becomes more
theatrical as Sherman transports us to a darker place where he is immersed in
his father’s confusion, disorientation, and loss of memory and identity.
Accompanied by Christopher Bolton who plays piano while
eerily chanting lyrics, Sherman speaks Russian almost exclusively in the last
scene, giving the audience some sense of his ailing father’s bewilderment.
We
take memory for granted, whether it is to remember the good or the bad in our
lives and, in Last Words, the pain of a son watching his father fade from the
world is palpable.
by Kate Herbert
Directed and co-devised by
John Bolton
Music Composition and
Performance by Chris Bolton
Designed by Brian Lipson
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