Saturday, 16 November 2024

Sister Act REVIEW 8 Nov 2024 ****

MUSICAL

Music by Alan Menken, Lyrics by Glenn Slater, Book by Cheri Steinkellner & Bill Steinkellner, additional book by Douglas Carter Beane

At Regent Theatre until 26 Jan 2025 (at present)

Reviewer: Kate Herbert

Stars: **** (4)

This review is published only on this blog. I’ll present a radio review on Arts Weekly on 3MBS on Sat 16 Nov 2024. KH

Sister Act_CAST_Casey Donovan front- credit_Daniel-Boud

This Melbourne production of Sister Act is a feel-good musical based on the 1992 film with Whoopi Goldberg and Maggie Smith that was set in 1968 and 1992. It is a rollicking musical romp that boldly pokes fun at nuns, the Catholic church, dangerous gangsters and low-level lounge singers.

 

This musical stage version has original songs and music (music by Alan Menken, lyrics by Glenn Slater) and book (Cheri & Bill Steinkellner) and is a replica of the 2022 West End revival that followed the original production in 2009 on the West End and on Broadway in 2011.

 

The musical is set in 1977, which changes the tone, the style of music, costumes, language and the cultural references.

 

Casey Donovan is sassy, brazen and audacious as Deloris van Cartier, a try-hard, minor lounge singer who relies on the support of her gangster boyfriend, Curtis (James Bryers) who owns the nightclub she sings in.

 

When she witnesses Curtis murder a witness for his upcoming trial, the cop (Raphael Wong as Eddie Souther) leading the investigation hides Deloris in plain sight, in a convent, which is an absurd but strangely plausible location to hide a raunchy lounge singer with gangster connections.

 

In the quiet, melodic confines of the convent, Deloris becomes Sister Mary Clarence and takes on the seemingly impossible task of taming and training the appallingly tuneless nuns’ choir and transforming them into funky, dancing, singing, funny-nunny entertainment.

 

Donovan is magnetic and gives a spirited performance as Deloris and the role showcases her powerful, versatile voice with excellent control and range. If you remember she won Australian Idol at 16!

 

The nuns learn to enjoy singing popular music for the glory of God and their choir medley raises the roof to heaven in Praise of the Lord!

 

These nuns are a deliciously wacky bunch: Rhonda Burchmore is a hoot as bolshy, old Sister Mary Lazarus; Genevieve Lemon is suitably frosty and conservative as Mother Superior; Sophie Montague is Sister Mary Robert, Bianca Bruce as Sister Mary Patrick, is loud, cheerful and yappy; and Sophie Montague is the sweet and retiring Sister Mary Robert who comes out of her shell.

 

Raphael Wong, an opera singer who has crossed over to musical theatre, has a fine voice and is charming as Eddie, the cop who has adored Deloris since their shared high school days.

 

The original songs are an eclectic mix of styles from R and B to Funk and Gospel, with clever lyrics and plenty of religious parody.

 

The idiotic gangster trio routine is hilarious as they wear silly disguises and sing about how to woo a nun.

 

Curtis’s violent thug song that is about how he will get that girl, is comical but we almost feel we can’t laugh as it’s so violent to women.

 

For me, the movie still takes the cake but perhaps that is because of Whoopi and Maggie Smith who will always be my heroes, and because I was in San Francisco when that movie was being filmed in the church outside which I took a bus each day.

By: Kate Herbert.

 

Cast

Casey Donovan- Deloris Van Cartier

Genevieve Lemon – Mother Superior

Rhonda Burchmore -Sister Mary Lazarus

Sophie Montague – Sister Mary Robert

Bianca Bruce - Sister Mary Patrick

‘Raphael Wong- Eddie Souther

James Bryers – Curtis Jackson

Damien Bermingham – Monsignor O’Hara

Emma Powell - Sister Mary Theresa

Sally Bourne - Sister Mary Martin of Tours

 

 

Creative Team

Producer John Frost For Crossroads Live

Music  Alan Menken

Lyricist  Glenn Slater

Book Writer Cheri Steinkellner

Book Writer Bill Steinkellner

Additional Book Material Douglas Carter Beane

Director Bill Buckhurst

Choreographer  Alistair David

Set And Costume Designer  Morgan Large

Musical Supervisor  Stephen Brooker

Orchestrations  Doug Besterman and Mark Cumberland

Lighting Designer  Tim Mitchell

Sound Designer  Tom Marshall

Wig, Hair and Make-up Designer  Sam Cox

Resident Director  Eric Giancola

Musical Director  Daniel Griffin

 



 








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