Music and lyrics by
Jerry Herman Book by Michael Stewart
by The Production Company
at State Theatre October 9,10,11,12, 2002
Reviewer:
Kate Herbert
Amanda
Muggleton plays Dolly Levi , the bossy,
scheming matchmaker, with a touch of Mae West. Muggleton, with her broad New York Jewish
accent, is brassy, bold, sexy and provocative as Dolly.
This is a
concert version rather than the full musical. This means it has no set, some
dancing but concentrates on the songs and characters and Hello Dolly! is
jam-packed with singable tunes by Jerry
Herman.
The production,
directed by Rodney Fisher in a
frighteningly short ten day, is slick and stylish. Tony Bartuccio's choreography is witty and smooth. Under John
Foreman's musical direction, Orchestra Victoria is excellent.
Muggleton
shines as Dolly. Her presence is magnetic, particularly in the second half when
she boots the energy. Her entrance for the title song is a show-stopper. She is
sassy, sexy and vampish as she parades down a staircase in a scarlet sequined
gown.
Hello Dolly!
is a story about finding love and the great adventure that follows.
Dolly wants
to give up her lowly position as a marriage broker and marry her richest
client, Horace Vandengelder, (John
Stanton) the feed store merchant from Yonkers. Her naughty, comic and mostly harmless manipulations
to carry out her plan are the heart of the story.
Meanwhile,
Horace's disgruntled shop clerks, Cornelius Hackl (Anthony Weigh) and Barnaby Tucker) (Lindsay
Farris) embark on a journey to New York to meet girls.
The musical,
based on Thornton Wilder's play, The
Matchmaker, . opened in 1964 with Carol Channing as Dolly.
Stanton, as
the grumpy Vandegelder, is suitably gruff and unbending. The stand-out performance is Anthony Weigh as Cornelius. Weigh is a real talent both as
an actor and singer.
There are fine cameos from Christen O'Leary as
the whining Ermengarde, Melissa Madden
Grey as perky Minnie, Katie Wilkins as
the trashy Ernestine, and Grant Pir as a German waiter.
Vanessa
Downing as Irene Molloy, is dignified
but lacks vocal strength.
The songs
include: Before the Parade Passes By, It Takes A Woman and Put On Your Sunday
Clothes. The highlight is the lyrical love ballad, It Only Takes a Moment, sung by Weigh with the company.
This
production is charming and genuinely entertaining. Let's hope to see it with
all the moving parts next time.
By Kate
Herbert
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