MUSICAL THEATRE
Written by
Jeanie Linders
Athenaeum
Theatre until August 6, 2016
Reviewer: Kate Herbert
Stars:***
Review also published at Herald Sun Arts, probably by Tues July 19, 2016. KH
Donna Lee
Menopause the Musical is back and it’s
hotter than before because, this time, it’s Women on Fire!
Jeanie
Linders’ hit musical is “Identification Theatre” for women of a certain age who
share the menopausal woes of the four characters on stage: hot flushes, night
sweats, bladder control problems, memory loss, weight gain and fluctuating
libido.
This updated,
90-minute version, directed and choreographed
by Tony Bartuccio, has more parodies of popular songs with satirical lyrics
about menopause and plenty more dance than the original, 2005 Australian
production.
Four
women (Caroline Gillmer, Donna Lee, Jackie Love, Megan Shapcott) from different
walks of life, meet in a department store at a lingerie sale then slowly discover
how much they have in common.
Gillmer is the bold and
feisty corporate executive who spends her time in boardrooms while Lee is a
timid, unsophisticated housewife down from Dubbo for some shopping.
Caroline Gillmer
Love plays an ageing,
insecure television soap star who fears her acting career is on the rocks if
she cannot retain her youthful looks, and Shapcott is an out-of-town, hippy, earth
mother who drinks camomile and eats organic food.
Gillmer is magnetic on stage, and she starts the
evening’s varied repertoire of popular songs by belting out the soul classic,
Chain of Fools, retitled Change of Life, then later in the show, the audience
roars at her Tina Turner parody of What’s Love Got To Do With It?
Lee’s quirky, clownish, country bumpkin is a crowd
favourite with her broad, physical comedy when she tries on sexy lingerie and when
she is introduced to what looks like a glittering, neon vibrator.
The audience groans in recognition at Shapcott’s song
about mood swings and the ensemble’s chorus about anti-depressants, “Pills. We
love them so, we always will”, sung to the tune of Fifth Dimension’s Wedding
Bell Blues (“Bill. I love you so...”)
Love prowls the stage in her sassy, leopard-skin
print frock, singing Some Like It Hot (Feel The Heat), playfully teasing a man
in the front row with her antics.
Jackie Love
Linders’ dialogue is often bumpy, especially in the
first scenes, but the dynamic changes and the energy lifts once the songs start
to come thick and fast and the dance routines become more complex, an example
being the vibrant choreography in the medley about body image.
The finale of I’m Every Woman, Disco Inferno (Burn
Baby Burn) and We Are Family is the show highlight, and the cast invites the
audience to come on stage to dance – and they do, in droves.
The last five minutes is a swaying tribe of women on
stage with the cast having the time of their lives.
Menopause the Musical is hardly high art but it is
fun for those who identify with the circumstances and irrepressible spirit of
the women on stage, recognise the classic tunes and crave a night of abandoned
laughter at their own expense.
By
Kate Herbert
Melbourne Cast:
Jackie
Love
Caroline Gillmer
Donna Lee
Megan
Shapcott
Tony
Bartuccio - director/choreographer
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